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Located in Jaipur, Riwaayat is the showroom of a hand blockprint trader that showcases Rajasthan’s glorious past and present.
True to its name, Riwaayat - meaning tradition - is a wonderful medley of assorted patterns, colours and materials. The design reflects the richness of Indian craft through the use of dark wood floors, vibrant wallpapers from Nilaya like Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza, as well as artefacts and motifs. It also brings together a combination of old and new ideas, like using a traditional technique like Mud Lipai and refreshing it in a Cold Coffee coloured finish. (Photography by Abhishek Kumawat)
True to its name, Riwaayat - meaning tradition - is a wonderful medley of assorted patterns, colours and materials. The design reflects the richness of Indian craft through the use of dark wood floors, vibrant wallpapers from Nilaya like Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza, as well as artefacts and motifs. It also brings together a combination of old and new ideas, like using a traditional technique like Mud Lipai and refreshing it in a Cold Coffee coloured finish. (Photography by Abhishek Kumawat)
True to its name, Riwaayat - meaning tradition - is a wonderful medley of assorted patterns, colours and materials. The design reflects the richness of Indian craft through the use of dark wood floors, vibrant wallpapers from Nilaya like Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza, as well as artefacts and motifs. It also brings together a combination of old and new ideas, like using a traditional technique like Mud Lipai and refreshing it in a Cold Coffee coloured finish. (Photography by Abhishek Kumawat)
True to its name, Riwaayat - meaning tradition - is a wonderful medley of assorted patterns, colours and materials. The design reflects the richness of Indian craft through the use of dark wood floors, vibrant wallpapers from Nilaya like Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza, as well as artefacts and motifs. It also brings together a combination of old and new ideas, like using a traditional technique like Mud Lipai and refreshing it in a Cold Coffee coloured finish. (Photography by Abhishek Kumawat)
In addition to drawing inspiration from Rajasthani architectural styles, the design is also influenced by Moroccan and Mughal aesthetics. This is reflected in the colour palette of the interiors, mostly Asian Paints’ Natural Coffee colour, wall textures, wood finishes, as well as the furniture and its lively upholstery. (Photography by Abhishek Kumawat)
The dark wooden flooring accentuates the details and warmths of the hand block-printed fabrics on display. The flooring also enhances the vibrant colours and takes on a new life when the large windows usher daylight indoors. (Photography by Abhishek Kumawat)
In addition to drawing inspiration from Rajasthani architectural styles, the design is also influenced by Moroccan and Mughal aesthetics. This is reflected in the colour palette of the interiors, mostly Asian Paints’ Natural Coffee colour, wall textures, wood finishes, as well as the furniture and its lively upholstery. (Photography by Abhishek Kumawat)
The dark wooden flooring accentuates the details and warmths of the hand block-printed fabrics on display. The flooring also enhances the vibrant colours and takes on a new life when the large windows usher daylight indoors. (Photography by Abhishek Kumawat)
Riwaayat celebrates multiple colours, materials, patterns, textures, and finishes that neither clash nor compete for attention. Each element complements the other, creating a wholesome space that’s bound to leave its visitors awestruck. (Photography
The design reinterprets the traditional Mud Lipai technique - the application of a mud-based wall plaster - to suit Riwaayat’s modern clientele. Textures on the walls are made using a stone dust powder paste, followed by a coat of interior wall paint
Wallpapers from Nilaya such as Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza are used extensively throughout Riwaayat. One of the most unique uses is on the ceiling, although traditionally we’re used to seeing wallpapers only on the wall
The design language of the space celebrates its regional roots as well as its present function and identity. It pays homage to Rajasthani colours, crafts, materials and techniques and its Moroccan and Mughal influences. The space is opulent yet confi
Riwaayat celebrates multiple colours, materials, patterns, textures, and finishes that neither clash nor compete for attention. Each element complements the other, creating a wholesome space that’s bound to leave its visitors awestruck. (Photography
The design reinterprets the traditional Mud Lipai technique - the application of a mud-based wall plaster - to suit Riwaayat’s modern clientele. Textures on the walls are made using a stone dust powder paste, followed by a coat of interior wall paint
Wallpapers from Nilaya such as Mogholsarai, Indochine Promenade, Sanganer and Bagh-e-fiza are used extensively throughout Riwaayat. One of the most unique uses is on the ceiling, although traditionally we’re used to seeing wallpapers only on the wall
The design language of the space celebrates its regional roots as well as its present function and identity. It pays homage to Rajasthani colours, crafts, materials and techniques and its Moroccan and Mughal influences. The space is opulent yet confi
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